Tuesday, June 4, 2013

In the Beginning


My interest in photography goes back a long way.  A friend who was a couple of years older than me got into it as a kid, and I accompanied him to shots, and stood in his dark room.  I guess I developed my first print aged about 12, standing under a red filtered light in a converted shed.  I can still smell the chemicals, and recall the thrill of seeing the picture appear.  

Around 1973 I bought a  Zorkie 4,  the USSR copy of  the Lieca.   With no light meter, and being a rangefinder, it was complicated and hard to get decent results with.  I cant recall a single good photo from it.


A couple of years later I bought a Zenit EM, also USSR made, black bodied with a light meter built into the body.  This was a bit better, although I found a hand held meter and a lot of guesswork was still essential. Battling the technical aspects was harder than framing and composition.


In the late 70s I went to Dubai, and either just before or on arrival, I bought a black bodied Pentax ME with a 50mm lens.  This had TTL, through the lens metering, and suddenly photography was a lot easier, or at least I had a chance of getting the exposure right.  The ME was an aperture priority automatic camera, with no manual capability,  split screen focussing (manual of course, autofocus was just a dream in a few engineers minds back then), and  no indication of the shutter speed.  You  set the aperture and the ME did the rest. I bought a screw thread adaptor for the Pentax Pentax K mount, and a couple of cheap lenses – a 35mm and a 200mm.  And I had a ball.  I loved that camera, and I lost it only when I got divorced and my wife threw it out.


I then went through a succession of Nikons. Some new some second hand.  I was buying bodies in the faint hope that they would make me a better photographer.

Of course they didn’t, and I spent a fortune.  I didn’t even trade up, I just kept buying.  At one time on the shelf I had a Nikon EM, an FE, and FG-20, and F501 (autofocus!!!) and an F4. 

And I was still a useless photographer. 

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